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With the 1993 edition, outstanding plastic artists returned to the realization of the Carnival poster. That year was signed by Guillermo P. rez Villalta (rate, Cdiz, 1948), one of the articles that had a lot to do with the boom in the renovation of painting, a new figuration, in the eighties, with Madrid as the main and prominent square in Spanish art, and even international (in February 1982 the ARCO art fair began). P rez Villalta's poster is framed in that postmodern wave, in which he developed this art, more specifically ascribed, by some, to a Neomanierist current. In fact, the composition of its poster is completely flooded with images, some of them corresponding to the city of Santa Cruz de Tenerife itself |
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CELESTINO CELSO HERN NDEZ : Half Century of Posters of the Carnival of Santa Cruz de Tenerife. From the Winter Holidays to the Carnivals, 1962-2015. Edition of the Autonomous Organization of Fiestas and Recreational Activities of the City of Santa Cruz de Tenerife with the Sponsorship of Mutua Tinerfe a.2016 |
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Tarifa, Cdiz, May 12, 1948. Painter Artistic group, school or style: New Madrid Figure, postmodern smo, neomanier smo, Movida Madrile a. Individual exhibitions (selection): Four Gardens, Galer a Sen, Madrid, 1984. Galer to Soledad Lorenzo, Madrid 1997. Piranesi- Dream-Landscape, Galer a Siboney, Santander 2002. Gulliver's travels. Guillermo P. rez Villalta, Palace of La Madraza, Granada 2012. Museums and collections: Museo Nacional Centro de Arte Reina Sof a, Madrid; Museum of Fine Arts, Bilbao; Juan March Foundation, Palma de Mallorca; Su ol Foundation, Barcelona; Patio Herreriano, Valladolid, CAAC de Sevilla, C Mara de Comercio, Sevilla; Patio de los Naranjos de la Mezquita de C rdoba, C rdoba; Church of San Mateo, rate; Municipal Museum of Contemporary Art neo, madrid. |
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